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Mary’nın (Meg Ryan) en yakın arkadaşı stil uzmanı Sylvie Fowler (Annette Benning), kusursuz şıklığı ve hızlı işleyen zekası ile mutlu bir bekar ve saygıdeğer kadın magazini CACHET’in baş editörü. Mary ve Sylvie’nin bu sıkı dostluklarına, eksantrik bir anne ve buna ek olarak sürekli çocuk sahibi olmak isteyen Edie Cohen (Debra Messing) dahil oluyor. Ve son olarakta gruba, insanlara duymak istedikleri son şeyleri rahatlıkla söyleyebilen, büyüleyici kadın avcısı ve mizah deneme yazarı  Alex Fisher (Jada Pinkett Smith) katılır.

Ama bu uzun süreli dostluk,  çalkantılı bir döneme girer. Her şey Sylvie’nin Saks Fifth Avenue’deki güzellik salonunda  manikürcü Tanya (Debi Mazar) ile konuşmasıyla başlar.  Dedikoducu Tanya, Crystall Allen (Eva Mendes) isimli zengin avcısı, tezgahtar “fıs fıs kız”ın , evli iş adamı Stephen Haines ile birlikte olduğunu söyler.   Sylvie kendini bir çıkmazın içinde bulur: Acaba en yakın arkadaşı Mary’e kocasının onu aldattığını söylemeli mi? Bu arada babasının yanındaki işinden kovulan Mary de  güzellik salonuna manikür yaptırmaya gider. Dedikoducu Tanya’ya…

Tüm dünyası altüst olan Mary bir karar vermek zorunda kalır. Annesi ve kızıyla birlikte tatile çıkar.

Bu esnada Sylvie de bir tercih yapmak zorunda kalır... Uzun uğraşlar sonunda elde ettiği rüya gibi işi tehlikededir. Kariyerini korumak için dedikodu yazarı Bailey Smith’e zengin bir iş adamıyla evli olan ve bir “fıs fıs kıza” tercih edilen yakın arkadaşı Mary’nın özel hayatını anlatır.

Mary, Sylvie’nin bu ihanetini affetmez ve arkadaşlıkları biter.  Mary düşünmek için kadın sağlık kampına gider ve burada Kontes Miller (Bette Midler) ile tanışır ve yeni yaşamının ilk adımlarını atar. Mary Haines artık ne istediğini bilen biridir…

Yapım : 2008, ABD
Tür : Dram / Komedi
Yönetmen : Diane English
Senaryo : Diane English
Oyuncular : Eva Mendes, Jada Pinkett Smith, Meg Ryan, Annette Bening, Carrie Fisher, Candice Bergen, Debi Mazar, Lynn Whitfield, Bette Midler, Debra Messing, Joanna Gleason, Ana Gasteyer, India Ennenga, Jana Robbins, Tilly Scott Pedersen, Gloria Crist, Andria Blackman, Cloris Leachman, Keegan Connor Tracy, Nicole Robinson, Natasha Alam
Yapımcı : Bill Johnson, Mick Jagger, Diane English, Victoria Pearman
Görüntü Yönetmeni : Anastas N. Michos
Müzik : Mark Isham
Süre : 1 saat, 54 dk.
Gösterim Tarihi : 12 Eylül 2008

The Women

The Women is 2008 American comedy film written and directed by Diane English. The screenplay is an updated adaptation of the 1939 George Cukor-directed film of the same name, which was based on the 1936 play by Clare Boothe Luce.

In the original film, most of the characters were Manhattan socialites whose primary interest was idle gossip. In the 2008 version, several are working in the fields of fashion design and publishing, and the character of Alex Fisher is openly gay.

Plot synopsis

The central character is clothing designer Mary Haines, who lives in a beautiful country home with her wealthy financier husband and their 11-year-old daughter. Her best friend Sylvia Fowler is the editor of a prominent fashion magazine, a woman who dictates the latest in taste and style for New York City fashionistas. When Mary's husband becomes involved with Crystal Allen, a perfume salesgirl in Saks Fifth Avenue, her friendship with Sylvia is put to the test. Everyone in their close-knit circle of friends, including the ever-pregnant Edie Cohen and author Alex Fisher, begins to question their loyalty to each other and their romantic involvements.

Production

In 1994, Julia Roberts and Meg Ryan agreed to co-produce and star in a contemporary version of the classic film written by Diane English and directed by James L. Brooks, with a supporting cast including Blythe Danner, Marisa Tomei, and Candice Bergen. Two years later, the first table reading of the script was held on the Sony Pictures lot. Despite the enthusiasm of everyone involved, the project stalled when Roberts and Ryan decided they wanted to play the same role. English spent the following year revising the screenplay, during which time Brooks dropped out to direct As Good as It Gets. Roberts also lost interest and moved on. English first entertained the idea of directing the film herself in 2001. Over the next few years, Sandra Bullock, Ashley Judd, Uma Thurman, Whitney Houston, and Queen Latifah were among those to express interest, although none were attached officially. After being turned down by every major Hollywood studio, English decided to develop the project as an independent film and approached Victoria Pearman, the president of Mick Jagger's production company, Jagged Films, who agreed to produce the film for Picturehouse. Upon its completion, it was shown to executives at Warner Bros., which had absorbed Picturehouse in the interim. Unimpressed, they put the film on the back burner until the box office success of Sex and the City convinced them there was an audience for an all-female film.

The film was shot on location in New York City and Georgetown, Gloucester, Sudbury, Medfield, and Boston in Massachusetts. In keeping with the all-female theme, all portraits and sculptures of men were replaced with those of women when scenes were shot in the Boston Public Library.

Critical reception

A.O. Scott of the New York Times called the film "a witless, straining mess" and added, "[Y]ou wait in vain for a moment of snappy repartee, of fresh emotion, of grace or charm or pathos ... If The Women had managed to give its various impulses some kind of coherent shape or tone, it might be worth arguing about. As it is, the movie wanders and wallows, stumbling toward screwball before veering in the direction of weepiness and grasping at satirical urbanity along the way ... [R]arely has class struggle, or catfighting, for that matter, been so tediously waged. And rarely have so many fine actresses been enlisted in such a futile cause."

Kenneth Turan of the Los Angeles Times observed, "While the original film ... saw itself as a catty entertainment about New York society women coping with the infidelity of the husband of one of their friends, English has something grander and more complex in mind ... [T]his version sees itself as both a farce and a manifesto, a glorification of female friendship and a celebration of women's need for self-realization ... All that would be a handful to pull off for the most experienced filmmaker, but English has never directed before, and it shows. The visual choices she makes in The Women are invariably static, and except for whatever energy the performers can manage, the storytelling has a dispiriting flatness to it ... [The film] becomes unfocused as it stumbles over all the points it wants to make. Given English's writing skills, the dialogue doesn't help as much as it should, tending too much toward one-liners that aim for raunchy whenever possible. Never particularly believable, the story quickly unravels into schematic contrivance and wish-fulfillment fantasy."

David Wiegand of the San Francisco Chronicle said, "English doesn't make much of it very enjoyable. She's so careful to resist the Neanderthal sensibilities of the original film, she often neglects to make her version of the story, well, fun. Worse, it's only occasionally believable ... Even those who never saw Cukor's movie will feel something is missing in English's version. Yes, some of what's missing is humor and snappy dialogue, but that could be forgiven, if only some of the characters were more believable and the direction not quite as uneven. English knows how to get good performances out of her cast, but her pacing is languid and sloppy, so much so that one is tempted to believe that for all she knows about pacing a 30-minute sitcom, English isn't quite ready to tackle the longer form."

Peter Travers of Rolling Stone rated the film one out of four stars, calling it a "misbegotten redo" and "a major dud." He added, "[E]veryone ... struggles with a script that resists being crowbarred into the 21st century."

Roger Ebert of the Chicago Sun-Times was one of the few critics who enjoyed the film. He awarded it three out of four stars and commented, "What a pleasure this movie is, showcasing actresses I've admired for a long time, all at the top of their form ... Diane English ... focuses on story and character, and even in a movie that sometimes plays like an infomercial for Saks Fifth Avenue, we find ourselves intrigued by these women ... The Women isn't a great movie, but how could it be? Too many characters and too much melodrama for that, and the comedy has to be somewhat muted to make the characters semi-believable. But as a well-crafted, well-written and well-acted entertainment, it drew me in and got its job done."

15:40 - 17/9/2008 - yorum yaz - Arkadaşina Gönder!

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